Hear it Live! at the Horniman Museum & Gardens, 29 April 2014

header01-enSE22 Piano School teacher Lorraine Liyanage performs at the first Hear It Live! event at the Horniman Museum & Gardens on Tuesday 29 April. Entry is free – do come along!

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To celebrate the arrival of our new At Home With Music display, we are hosting a live performance on our 1772 Kirckman harpsichord in the Music Gallery, on the last Tuesday of each month.

On Tuesday 29 April Lorraine Liyanage will perform selected movements from JS Bach’s French Suite no.1, and selected sections of the Württemberg sonata in A minor by Carl Philip Emanuel Bach. The programme includes music to commemorate the 300th anniversary of CPE Bach.

http://www.horniman.ac.uk/visit/events/hear-it-live

Hear It Live! at the Horniman Museum & Gardens - with Lorraine Liyanage
Hear It Live! at the Horniman Museum & Gardens – with Lorraine Liyanage

 

Celebrating the 300th anniversary of CPE Bach
Celebrating the 300th anniversary of CPE Bach

 

Piano Recital at Lassco Brunswick House

When I am not teaching, I have lots of musical ventures on the go – performing as a harpsichordist, organising the Dulwich Piano Festival and curating the South London Concert Series (SLCS) with my piano teaching colleague Frances Wilson. SLCS is a series of concert mixing contemporary classical music with socialising in unique and unusual venues in London. Here are a few photos and videos from the event so you can get an idea of what we do!

[youtube=https://www.youtube.com/watch?v=_vz2I-JQ0gM”]
[youtube=https://www.youtube.com/watch?v=hOBQry0mRO8″]
[youtube=https://www.youtube.com/watch?v=DgEDAovVevA”]

This write-up of the event is courtesy of Frances Wilson and originally appeared on her blog, The Cross-Eyed Pianist.

A stag with an impressive set of antlers surveys the room, while a white-tuxedo’d Tony Curtis keeps watch over the proceedings from his niche in a corner near the piano, a John Hopkinson baby grand with a rosewood case. Glittering chandeliers hang from the ceiling, illuminating the exposed brickwork on two walls of the room and highlighting the colours of the stained glass panels in the elegant sash windows. Exotic oriental rugs are draped over vintage British Rail first class seats, and at the back of the room, a glass cabinet is filled with antique pharmacy jars. Welcome to Brunswick House, part of the London Architectural Salvage and Supply Co, a Georgian mansion just five minutes from London’s Vauxhall Station, flanked by the brand new 5-star hotel and luxury apartments of One Nine Elms. Brunswick House is a treasure trove of antiques and salvaged curiosities, and on Thursday night last week, it provided a wonderful and eclectic venue for a fine evening of music making and conviviality.

Lorraine LiyanageLorraine Banning, Frances Wilson & Lorraine Liyanage (and Tony Curtis) at Brunswick House

“A superb evening – huge fun was had with a mix of musical genres in a delightfully decrepit and stylish Georgian mansion. Best of luck promoting these salon recitals, the way music is meant to be played and heard.”

Rosalind, audience member

The concert was part of the South London Concert Series, and featured a recital by BBC Music Magazine’s “rising star” Emmanuel Vass, together with supporting performances by three talented members of the London Piano Meetup Group, who despite not being “professional” pianists, played with equal poise, musical sensitivity and professionalism. The diverse programme matched the unusual setting, with music by Bach, Chopin, Turina, and Mozart together with Emmanuel’s own transcriptions of pop songs by Queen and The Prodigy. In keeping with the SLCS ethos of recreating the nineteenth-century musical salon, an hour of music was followed by much conversation and socialising in the ante-room next to the Saloon, and continued downstairs in the restaurant adjacent to the house.

“The South London Concert Series is both innovative and traditional. Events blend an appreciation of fine music and music making with conviviality, and blur the artificial distinctions between professional and amateur”

James Lisney, international concert pianist

The final SLCS concert of the 2013/14 season is on Friday 16th May at the 1901 Arts Club. Entitled ‘Eastern Accents’, the concert includes music from Russia and Japan, and features a performance by guest artist Vatche Jambazian. Further details/tickets here

 

One-Day Workshop for Piano Teachers (open to pianists too)

Day: Sunday 23 November.
Time: 9.45am – 5pm
Venue: Cecil Sharp House, London. Nearest tube: Camden Town.

A One-Day event for piano teachers although pianists and students are welcome too. The workshop is sponsored by Casio and a range of their digital pianos will be available on the day.

Last Minute Ticket Offer: £35 for the full day.

Provisional Timetable

9.45am. Registration.

1) Group Introduction & Welcome. Brief overview of the Casio range of digital pianos that are provided for use throughout the day.

2 & 3) Masterclasses with Tim Barratt and Graham Fitch (See agenda below).

4) Running an Effective Piano Studio with Lorraine Liyanage & Frances Wilson.

– Writing watertight Terms and Conditions for lessons. All teachers are invited to submit their Terms and Conditions at the time of registration so we can share these with the other participants if you agree to this. It would be useful to compare and contrast the varying terms that teachers offer.
– Organising and maintaining a Waiting List.
– Having an Online Presence and Using Social Media.

5) Informal performance opportunity
Those teachers/pianists/students that wish to perform may bring along a short piece to play at the closing session of the day. There will be the chance during the day to practice during break times.

 

Casio One Day Piano Workshop


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